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Book #3 in Peters' Amelia Peabody series

My Name is Amelia/cooly

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Beautiful book!

A superb anthology of Victorian-era ghost stories.

Very valuable resource!

An Essential Children's Musical Activities Resource BookThe great thing about the activities described is that as well as encouraging musical creativity, Amelia and John also describe developmental goals associated with the games. These include developing social, communication and motor skills. Don't worry - the book is not a theoretical therapy manual and the activities are presented clearly in an easy-to-follow format that allows you to get straight to the practicalities and purpose of each game. There are also plenty of nice illustrations.
This book could be useful and inspirational to all sorts of people working with children or people with developmental disabilties - nursery teachers, school teachers, occupational therapists, activity group leaders, parents and carers.
As a music therapist working with children with special needs I frequently refer to the book for ideas - so far all the activities I've tried have worked well in practice!


This is an excellent book!

Non-Stop Action

Our 6th grader said this is the best book he has read.
Peters brings all kinds of historical characters into this series, intermingling them with her own characters and using them in her plots without shame. Into the series she brings names of real archaeologists, like William Petrie and Howard Carter. Seeing as how he's based on the guy, one might think that Radcliffe Emerson would, in the books, get along well with Petrie; in fact, Peters has made her character a rival with Petrie. The results are hilarious, with Peters shamelessly playing with real historical events, inserting her characters into those events, and creating her own version of real Egyptological events. She weaves tons and tons Egyptological facts in with her plots, and readers lap them up and ask for more, not even realising how much they must be learning about Egypt--not just ancient Egypt, but the political events and standing of Egypt in the last 1800s, and into the 20th century, including the role Egypt played in WWI.
This particular book in the series (book #3, in fact, in a series of 14) is a mystery set in the desert. The Emersons are excavating at Mazghunah, near Dahshoor (for those of you who know anything about Egypt!). Of course, they soon get tangled up in a wicked web of theft, murder, and scandal. Peters still manages to keep her plot and writing light and deft, though, as she weaves together history and fiction, and her writing and characters are side-splittingly funny. Dialogue is one of Peters' strong points, as evidenced by young Ramses' monologues and his parents' responses, and the fact that the adult Emersons claim to prefer cryptic speech, yet ramble as much as their son, when allowed.
Peters has written a hilarious and entertaining novel, a romp through history and Egypt, the writing deft and light, the plot rich, the characters unique and lively while still being hilarious paradies of steriotypical, stock characters.